P26_HILDEGARD_Baranova-1563.jpg

HILDEGARD
BETH MORRISON PROJECTS

“Deborah Johnson’s vivid projections give visceral life to Hildegard’s visions.” — The New York Times

“Stunning projections… transformed the stage into a heavenly realm of spiritual wonder.” — ArtsBeat LA

“With shimmering visual projection design by Deborah Johnson, the mesmerizing production exquisitely captured the struggle of two gifted women determined to make their voices heard.” — Stage and Cinema

“Wonderful artwork & projections by Deborah Johnson.” — BroadwayWorld

The scene shows a theatrical performance with actors dressed in traditional costumes, performing a dance. The background features a large illuminated circular projection of a peace symbol with a yellow border and a blue interior with geometric patter
A person sleeping on a bed underneath a dark room with a digital projection of dancing figures on a wall behind. The projection appears as a vibrant, glowing scene with people dancing with arms raised, surrounded by colorful, abstract visuals.
Group of performers in costumes on stage with a dark background and a projection resembling a planet or galaxy overhead.
Two people wearing elaborate masks and loose-fitting clothing stand in a dimly lit room with a blue patterned backdrop.
Stage scene with five people dressed in historical or theatrical costumes, surrounded by a large circular frame and a backdrop project showing a glowing golden image of a woman, set against a dark background.
Two young women in historical costumes are on a stage, with one sitting on the floor and the other standing. The standing woman appears distressed, while the seated woman looks up at her. Behind them is a painting on an easel, depicting a glowing geo
A dark room with a large circular artwork of a person reaching out towards a glowing circle on the wall, with various smaller objects and artworks on stands in front.
Stage performance with five actors dressed in period costumes, two women on the left, a woman in center, a man on the right, a large abstract projection in the background.
A theatrical stage scene with two performers dressed as old women in elaborate costumes and masks, a young girl sitting on the floor reaching out with her hand, a bed with a white blanket, a table with a candle, and a plain background with dramatic l
The image shows a stage with four actors, three seated around a wooden table and one standing, making a gesture with hands crossed above her head. Behind them is a large, ornate backdrop with geometric and symbolic designs, and a glowing, star-like g
A woman dressed as a nun, appearing distressed and frightened, standing in a dark room with a single light illuminating her face and upper body, shadows cast on the wall behind her.
Performers on stage during a theatrical production, with a woman in a beige dress raising her arms, and a large circular backdrop projecting an abstract image.
A woman in a long beige dress standing on stage with her arms raised and looking upward, with fictional characters in costume partially visible on either side, under a dark backdrop.
A theatrical stage scene with a bed at the front, covered with a person, and a background projecting images of a tree with green and yellow lights and cast shadows of people in long dresses holding hands.
Stage scene with four women in period costumes inside a gold frame, backdrop of blue sky with fireworks projection, one woman dancing in front.
A theatrical stage scene with four women dressed in costume. One standing at the center has their eyes closed and arms raised, wearing a crown. The background features a gold decorative wall and digital projections of angelic figures.
Theater scene with actors in costumes performing on stage with a blue and green digital backdrop.

Description

HILDEGARD, an opera by Sarah Kirkland Snider,
directed by Elkhanah Pulitzer and produced
Beth Morrison Projects, draws on the life, love, and visions of Hildegard von Bingen, a 12th-century mystic and abbess, as she awaits papal approval of her writings.


Drawing from Hildegard’s manuscripts, I developed a hybrid visual language that moves between spline-based and hand drawing, volumetric capture, digital painting, and generative animation. Performers and choreography are treated as source material—captured, translated, and reconstituted into medieval, spatial, time-based tableaux.

The work unfolds through a series of transformations: from drawing to iconography, body to particle, from manuscript to projection. These visual structures evolve in rehearsal with performers, shaping a dynamic relationship between image, movement, and sound as a responsive dramaturgical layer.

The volumetric capture technology was made possible with the support of the
NYU Tandon Navy Yard and Evercoast.

Production Credits

Composer + Librettist:
Sarah Kirkland Snider

Directed by:
Elkhanah Pulitzer

Conducted by:
Gabriel Crouch

Artwork + Projection Design:
Deborah Johnson

Scenic Design:
Marsha Ginsberg

Lighting Design:
Pablo Santiago

Costume Design:
Molly Irelan

Sound Designer:
Drew Sensue-Weinstein

Video Associate:
Louise Léssel

Produced by:
Beth Morrison Projects